Flashback Friday - Tess Gerritsen

I admit it, I did not read Tess Gerritsen before I became hooked on RIzzoli & Isles on television. I apparently have some sort of weakness for female medical examiners, because even when the R & I dialogue makes me cringe (several times an episode!), I can't stop watching. I watched the Jill Hennessy one, too, and now the Dana Delaney. I've knocked out the eight books currently in the series in the last week or so, and really enjoyed them. The next book, THE SILENT GIRL, is due out July 5. If you watch the show and you're one of those people driven mad by differences between page and screen (a la BONES and Kathy Reichs), well, you're going to want to skip this series, but I enjoyed it. Complex plots, interesting investigations, and medical detail are excellent, but what really makes this series shine is the friendship between Rizzoli and Isles. Fun, if sometimes dark, summer reading.

Here's the series in order:

THE SURGEON: Jane Rizzoli (no Maura Isles until THE APPRENTICE) and her partner, Thomas Moore, are on the trail of a serial killer. Jane is not always likable - she's gone to great lengths to prove herself as a female cop, and she can be unreasonable, oversensitive, and belligerent. This is what makes her a standout character, actually, because there's more to her than a competent cop, and Gerritsen deals with the issue of sexism head-on, but not in a preachy way. The descriptions of violence were sometimes unnecessarily brutal, but the mystery is interesting, the plot twisty, and the investigation absorbing.

THE APPRENTICE: The second book introduces Maura Isles and continues where THE SURGEON left off. A new serial killer is in town, with some eerily familiar habits. This one dragged a bit for me at first, but quickly veered into unputdownable plotting. This one explores Rizzoli's character more, which is really enjoyable, as Rizzoli, Isles, and FBI agent Gabriel Dean hunt down a new killer.

THE SINNER: The series is really hitting its stride in the third installment, which focuses on a brutal attack on two nuns in a convent. Rizzoli and Isles are both lapsed Catholics, which gives their investigation complexity and allows Gerritsen to explore the theme of blind faith. The case becomes more and more complicated, as do the personal lives of the main characters.

BODY DOUBLE: This entry opens with Maura Isles arriving home from Europe to find her street filled with police cars, responding to her death in a car outside her own house. The woman looks eerily similar to the adopted Maura, so much so that she confronts the possibility that she had a twin. Meanwhile, a very pregnant Rizzoli is on the trail of a killer who targets pregnant women, giving her an uncharacteristic vulnerability. Maura's private life becomes even more complicated, between an unlikely attraction and revelations about her birth mother.

VANISH: A woman in Isles's morgue wakes up and takes a group of hostages that includes pregnant Jane Rizzoli. This one was fantastic, with Gerritsen exploring sex slavery and post-9/11 security measures that give the government frightening power. An excellent entry. My only complaint is that I could see a key plot twist coming from a mile away, but it was still worthwhile to watch it unfold.

THE MEPHISTO CLUB: A grisly murder/dismemberment with Satanic overtones sends Rizzoli and Isles to the Mephisto Club, an odd group of scholars dedicated to fighting demons. Yes, demons. They contend that some people can commit hideously evil deeds precisely because they are not human. The skeptical Rizzoli would like to write the group off as a bunch of weirdos, but they prove too helpful to dismiss entirely. The main action takes place in the United States, with some jaunts to Europe thrown in. Burial practices and mythology round out a complex plot.

THE KEEPSAKE: Isles is involved in the x-ray examination of Madame X, a mummy unearthed in the basement of the Crispin Museum. When a bullet and modern dental work are found on the mummy, Rizzoli investigates. More "keepsakes" turn up, leading to a search for a stalker with ties to a museum employee. This one stretched credibility maybe a bit more than other Gerritsen books, but I still found it enjoyable, and the museum/archaeology angle is an interesting one.

ICE COLD: This entry was an excellent thriller, though it takes a while to hit its stride. Maura Isles, reeling from personal issues, heads to a medical conference, where she encounters an old friend. The rarely spontaneous Isles joins him, his teenaged daughter, and his friend Arlo and wife, on an ill-fated ski trip. Lost in a snowstorm, they seek shelter in an empty house whose residents seem to have vanished entirely. This one gave me the creeps, and I started to wonder if Gerritsen was wandering into paranormal territory.

THE SILENT GIRL comes out next month, and I've preordered it on the Kindle.

Source disclosure: I purchased these books.

Flashback Friday - Kay Scarpetta

I often get it into my head to reread old favorites, especially long-running series. The profusion of medical examiner dramas on television made me want to revisit Scarpetta. I hadn't read the last couple of books, having been disappointed in more recent installments, but Port Mortuary was suggested as a good Scarpetta novel, and I enjoyed it. I decided to start the series from the beginning. How fun! First, DNA testing is still relatively new at the start of the series, and the first few books provide a brief history of forensic science, with DNA results taking weeks in the first book, and pre-DNA database, only serving a purpose when there's a suspect for comparison. Soon, PCR testing has made DNA testing much faster (and therefore more useful in solving crimes), and DNA information begins to be stored. I was able to pinpoint the book at which my interest began to wane: BLOW FLY, in which Patricia Cornwell switches to the third person and seems to hate her main character. I was happy to see that by THE SCARPETTA FACTOR, Cornwell seems somewhat less hostile toward Scarpetta (though I still miss the first-person narrative) and PORT MORTUARY is almost even enjoyable. There are some major character inconsistencies throughout the more recent books, but PORT MORTUARY sort of made up for those. At any rate, even if you don't hang in until the end of the series, the first few books are well worth reading.

The books in order:

Postmortem (1990)
Body of Evidence (1991)
All That Remains (1992)
Cruel and Unusual (1993)
The Body Farm (1994)
From Potter's Field (1995)
Cause of Death (1996)
Unnatural Exposure (1997)
Point of Origin (1998)
Black Notice (1999)
The Last Precinct (2000)
Blow Fly (2003)
Trace (2004)
Predator (2005)
Book of the Dead (2007)
Scarpetta (2008)
The Scarpetta Factor (2009)
Port Mortuary (2010)

Flashback Friday - Barbara Kingsolver

THE LACUNA by Barbara Kingsolver: My book club chose this novel. It had been years since I'd read Kingsolver (THE POISONWOOD BIBLE), and I remembered that it always takes me at least a hundred pages before I connect to her characters, but once I do, the bond is absolute. Her plots are so complex and sprawling that being dropped into the middle of a world she's written is disorienting, even off-putting. But that world is so rich that it seizes the reader's imagination and won't let go. I emerge from a reading session forgetting for a moment that I am not in the kitchen of Diego Riviera and Frida Kahlo's home, where a meal for an exiled Trotsky is being prepared. This sprawling novel takes place between 1929 and 1951 and addresses Mexican history and art, the rise of Communism, the Red Scare and HUAC, American internment camps during World War II, and Jim Crow laws.

The novel is made up of the notebooks kept by quiet, unassuming Harrison Shepherd, product of a discontented Mexican mother and rather boring American father. His mother leaves Washington, D.C. to follow her oilman lover to Mexico, where Harrison primarily grows up, shadowing the kitchen. The skills he acquires in making pan dulce translate eerily well to mixing plaster for muralist Diego Riviera, and he soon becomes a part of the Riviera household, befriending Frida Kahlo and typing for Trotsky, who is in exile. At night, he works on his own novel, set in the Aztec kingdom. After Trotsky is assassinated, Harrison is sent back to the United States, where he becomes a well-known novelist just in time for McCarthyism to mark him as a Communist.

In less capable hands, this could have been an utter mess that no amount of suspension of disbelief could clean up, but Kingsolver is a master. She deftly blends fact and fiction and her insertion of the quiet Harrison into major world events brings them to life. Frida Kahlo and Trotsky, in particular, are rich, complex characters. Harrison is a perfect counterpoint to his larger-than-life companions, and his life, in its own quiet way, is just as compelling. A lacuna can refer to the underwater cave that challenges Harrison as a boy on Isla Pixol, or to a section of missing text, like the notebook from Harrison's childhood that has disappeared. Harrison himself is something of a lacuna, lifted from his rightful place in American literature by HUAC. As the underwater cave opens up into a sinkhole in the jungle, a place of ancient sacrifices. Harrison begins as a cook in Mexico, but emerges a literary force in America, only to be pushed back into obscurity.

This is a glorious novel of history, revolution, and culture, an incisive commentary on modern society, and a thoroughly enjoyable read. Very highly recommended.

Source disclosure: I purchased this book.

Flashback Friday

I have done this sporadically in the past, but I am going to try to use Flashback Friday as a weekly look at a book from the back list. I read a lot of current fiction, but I often dip into old favorites or discover an older work that I'd like to review. For the most part, my reviews on the blog look at newish releases or soon-to-come reads, so I will be reserving my reviews of older books for Flashback Friday. Holly, you are welcome to join me!